While I was living in Japan, I had the pleasure of speaking with a diminutive, elderly lady on two occasions. She was not your typical senior citizen. She had a bright light in her eyes and an infectious smile. Her stories held me transfixed as she spoke to me of her youth and devotion to training in Aiki Budo.
Decades earlier, Takako Kunigoshi was a phenomenon in Morihei Ueshiba’s Kobukan Dojo, known as the “Hell Dojo.” She dived into training with the rough young uchideshi of the day, and charmed everyone with whom she came into contact. She was treated the equal of everyone else, neither asking nor giving any quarter.
Miss Kunigoshi also left her mark in aikido history as the illustrator of the 1934 technical manual titled “Budo Renshu.” She captured the essence of Morihei’s prewar technique with her artistic sensibility and left for posterity an intimate glimpse of the times.
Interview with Takako Kunigoshi,” by Stanley Pranin
Editor: Kunigoshi Sensei, when was it that you first became involved in Aikido?

Shigemi Yonekawa, c. 1936
Editor: I imagine there weren’t very many women among the deshi in those days.
There were only two of us! The other woman was two or three years younger than myself. I received New Year’s greeting cards from her up until a few years ago. Even now it seems that her nephew is going to the dojo. But as you said, in those days not many women went to train. Ever so, Ueshiba Sensei never made us feel different by changing things “because you are a woman.”
This and a second interview with Takako Kunigoshi are featured in Stanley Pranin’s book Aikido Pioneers – Prewar Era.
Click here to read the entire interview





Woman have a very big part to play in the development of aikido, I too have a dainty lady who puts light in my dojo .